Thursday, January 24, 2019
Pat Barker's writing is beautiful. This is my first time reading her work and I can certainly understand why she wins major prizes like the Booker. I saw some interesting criticism of this book, where readers were frustrated that Briseis only talks about men instead of interacting with her fellow captives or making a desperate bid for freedom. But the thing I found most compelling and unbearable about this story is that Briseis knows she is powerless. If she wants to live, she will submit. There is no happy ending for her once her city falls and maybe there never was one to begin with, as a woman married off to a stranger as a power play. Briseis is broken, but she has not given up.
The Silence of the Girls is not a romanticized version of the Trojan War. It portrays the brutal violence of war and its aftermath--the rape and trading of conquered women, the filth and disease of the camp, and the murder of the opposition and innocent civilians. Briseis' greatest strength is also the cruelest trait: she understands everything that is happening. She knows that she will be a footnote in Achilles's story, if she is remembered at all. Briseis tries to hold on to some semblance of her humanity, to remember that she is a person as everyone around her views her as something to be conquered and won. This is a difficult book, but it is good for us to read it. Through her story, we hear the story of women through the ages who have been brutalized by the wars of men and who lived to tell about it.
The Silence of the Girls
By Pat Barker
Doubleday Books September 2018
From the library
Tuesday, January 22, 2019
Laszlo is a sympathetic character and it's hard to watch as everything he believed about himself, his colleagues and friends, and the good of their work comes crumbling down. As he investigates the death of a construction worker, he discovers that a whole week of his records are missing. In the Golden State, everyone is required to keep meticulous records of their days because truth can be verified if there is proof of everyone's movements and interaction. The lack of record leads Laszlo to do some investigating of his own, where he finds that truth is only required for some and that power (of course) trumps truth.
Ben H. Winters is a fascinating writer. Every time I read one of his books, I am fully immersed in a unique story and find myself grappling with some interesting and difficult questions. Golden State is no exception and I found myself thinking about the complexity of truth and the point at which it becomes harmful instead of good. This is a smart story and Winters is not afraid to play with form or the expectations of his readers. But there were also moments when he seems to be showing off just how clever he can be. In spite of this, I would heartily recommend Golden State to anyone who enjoys dystopia or any reader who appreciates good writing and inventive storytelling.
My reviews of Underground Airlines and The Last Policeman
By Ben H. Winters
Mullholland Books January 2019
Read via Netgalley
Tuesday, January 15, 2019
Throughout these three books, Vasya is a woman torn between realities: she lives within the walls of Moscow, but yearns for the Russian countryside; she is committed to protecting her family, but also compelled to return to the frost demon Morozko; and she is pulled between the religious traditions she grew up with and the knowledge that magic is real and she has a powerful gift for it. All the threads from the previous two books come together here and it is impressive to see that no character or plot point was haphazard. In the midst of this, Arden introduces new characters and new facets to the magic we thought we understood, and it works beautifully.
Vasya has always been a compelling character. She is talented and committed, but she is not immune. In Winter of the Witch, we see that there is a cost to bravery and there are consequences for you and those you love when you run into danger instead of fleeing from it. She is determined to forge her own path, but she quickly learns that her understanding of both human politics and the history of magic are limited. It's a fascinating to watch Vasya realize her potential and then learn when to act on her own and when to ask for help.
In this series, Katherine Arden has achieved something remarkable. Her characters are easy to love and readers will race through the pages to find out what happens next all the while lamenting that they are reaching the end of the story. Each of the books in this trilogy is teeming with Arden's love for magic and Russian folklore. I can see myself returning to Vasya's adventures each winter, happy to be reunited with these characters and the possibility that magic might be just beyond those trees in the dark, cold forest.
My reviews of The Bear and the Nightingale and The Girl in the Tower
The Winter of the Witch
Winternight Trilogy #3
By Katherine Arden
Del Ray January 2018
Read via Netgalley
Thursday, January 10, 2019
The Only Woman in the Room covers much of Hedy Lamarr's life, but unfortunately Marie Benedict covers so much time that we never really feel like we know Hedy herself. It must be a delicate task to try to bring a real person to life, but I found myself wishing Hedy had a more compelling voice and we got to really dive into her life instead of skimming through important moments. I was also puzzled by how she gained enough knowledge to work on her inventions; the only time we ever hear about her being interested in science is when her father read her interesting articles about science or politics. We get no background into her scientific training; instead she suddenly seems to have the know-how to create groundbreaking technology.
I was thrilled to learn more about Hedy Lamarr in The Only Woman in the Room. I knew she was a scientist in addition to being an actress, but I didn't know the details of her life before reading this book. While this version of Hedy's story fell flat for me, I am glad that Marie Benedict is bringing incredible women to the attention of readers and I will certainly be reading more about Hedy's fascinating life and work.
The Only Woman in the Room
By Marie Benedict
Sourcebooks Landmark January 2019
Read via Netgalley
Thursday, January 3, 2019
Four years later, it still seems impossible for discuss an end-of-the-world story without comparing it to Station Eleven. I think there is a lot of comparison to be made between the two. Neither book is particularly concerned with the why of the disaster and instead, they focus on what happens to people as a result. Both stories take place on the road, which gives the authors the ability to introduce us to different locations and show their characters in varied situations.
One of the joys of reading The Book of M is discovering just how far and wide Peng Shepherd has allowed her imagination to wander. She follows Ory and Max not just on their journeys in the present, but she goes back to how they survived the early days of this crisis, and introduces the first victim, an amnesiac who tries to help him, and a potential Olympian reaching whose sport will be very helpful. This story is expansive and I loved seeing effects of this crisis that I could not have imagined and meeting groups of people who were willing to make different choices and sacrifices to survive.
In stories like this, the characters and the reader wonder if they can truly be human if they set aside things like compassion and beauty to stay alive. In The Book of M, the question becomes if we are still the same without our memories. If we have forgotten everything that makes us the people we are, are we still human at all?
One of the marks of great fiction for me is thinking about what these characters did before the story began and after the final page, and this is definitely a book where I did that. The story and its characters are unforgettable and I'm so glad I experienced the end of the world with Max and Ory.
The Book of M
By Peng Shepherd
William Morrow June 2018
From the library