The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
By Catherynne M. Valente
Feiwel and Friends May 2011
247 pages
From the library
September is a 12 year old girl who is bored with her life
in Omaha. She is often home alone since her father is off at war and her mother
is working in a factory. One day, the Green Wind blows into her window and
invites her to Fairyland. She soon meets three witches who entrust her with a quest
– to retrieve their stolen spoon from the evil Marquess.
This slight novel pays homage to so many stories that you
know and love – The Wizard of Oz, Alice in Wonderland, The Phantom Tollbooth,
and A Winkle in Time, to name a few. But paying homage is not the same as
copying; author Catheryne Valente has created a universe and characters that
are all her own. Some parts of this story are familiar, like an evil despot who
lords over the kingdom. However, there are some truly innovative and
fascinating characters, such as the Wyverary whose mother was a wyvern and
father was a library and a small blue boy named Saturday who can grant your
wish (but only if you defeat him first). The characters are further brought to life by small illustrations at the beginning of each chapter by artist Ana
Juan.
Although I enjoyed this book and applaud the author’s
creation of a new Fairyland, I missed the feeling of racing through a story. It
took some effort to read this book, which I did not expect from a YA fairytale.
I think much of it has to do with pacing. There is no in-between in this novel.
The characters are either moving at a furious pace or standing absolutely still.
Because the reader is learning about this new world and its inhabitants as the
book moves along, such fast-paced action can be hard to follow.
The best part of the book is the omnipotent narration, which
gives us gems like these: “The trouble was, September didn’t know what sort of
story she was in. Was it a merry one or a serious one? How ought she to act? If
it were merry, she might dash after a Spoon, and it would all be a marvelous
adventure, with funny rhymes and somersaults and a grand party with red
lanterns at the end. But if it were a serious tale, she might have to do
something important, something involving, with snow and arrows and enemies. Of
course, we would like to tell her which. But no one may know the shape of the
tale in which they move. And perhaps, we do not truly know what sort of beast
it is, either. Stories have a way of changing faces. They are unruly things, undisciplined,
given to delinquency and the throwing of erasers. That is why we close them up
into thick, solid books, so they cannot get out and cause trouble.”
This intersection of childhood and adult perception is the
crux of the best fairytales. Part of September’s adventure is growing up,
making decisions, and making sacrifices as she grows to care for the creatures of
Fairyland. Her journey helps her grow from the selfishness of childhood to the
awareness of an adult who is concerned for others. Of course, in spite of her growth, September is still a
young girl. This gives the narrator the task of filling in the things that September
does not yet know about Fairyland or herself in a witty and perceptive
manner.
Although Valente has written several other books, this novel was the first time I had heard of her. The Girl
Who…began as installments on her website, but will now be the first book in a series.
A sequel entitled The Girl Who Fell
Beneath Fairyland and Led the Revels There will be released in October. Ms. Valente has created a vivid and imaginative world that readers old and young will enjoy visiting.
It's a shame this took effort to get through as it sounds like such a fun read! The world building sounds very good.
ReplyDeletePerhaps it was a timing issue for me. The world building was excellent - I just didn't have that feeling of not being able to put a story down.
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